For the past seven of the ten years I have attended, I have blogged a recap of the NESCBWI conference. As I was gathering notes on this year's event, I decided to browse through my old posts and thought to do a 'Top 5' list.
In no particular order:
1. Melissa Sweet, author/illustrator. Due to proximity and providence, I have seen Melissa speak and have attended a few of her small workshops. Her career is awe-inspiring, her talent abounds, and she is gifted at not only sharing her enthusiasm, but techniques for writing and illustrating: how to generate and extract ideas, words, and images, etc.
2. Sudipta Bardhan-Quallen, author. Prepare to get an education when you sit for a workshop with Sudipta. She tosses extremely useful basics and guidelines to writing picture books alongside gritty/witty personal stories. No snoozing in her classes.
3. Frank Dormer, author/illustrator. As an illustrator, we can't forget that without ideas and concepts, our pretty pictures fall flat. Frank delivered a fabulous working workshop for illustrators a few years back that stuck with me. It forced me to put a problem-solving cap on and work fast (don't all good workshops blaze by?).
4. Mark Peter Hughes, author. The first time I ventured into taking a writer workshop, I was lucky enough to land in a class with Mark Peter Hughes. He got us to write down, speak up, and think in broad, useful terms about character development.
5.Dan Yaccarino, author/illustrator. Well, certainly Dan's reputation as a rock-star of picture books precedes him. He shared so many gems about storytelling, bookmaking and the hard work involved in this business - I dare you to walk away without a big, shiny lightbulb hovering on your noggin.
I may not be putting pencil to paper for my own book these days, but I'm thinking about the final size of it as a much bigger component than I had before. How much do you consider size when working on a dummy? How often do you think about the size of books?
Last year I noticed a few oversize board books at our Barnes & Noble. A gigantic version of Freight Train had me tweeting 'Why?' My son has the 'normal' size book and it seemed just right. Since then, we've acquired a few books bigger and smaller than what I assumed was the average sized board book.
Now that my son is mobile, the giant Moo Baa La La La seem to stop him from a distance, just catching his attention as he toddles along. He'll play while standing at the couch, but so far he doesn't seem interested in flipping the pages in these behemoths. It's just too heavy. So I'm starting to see the value a bit, but I still find myself asking, Why? Is this size appealing for daycare centers, so workers can read to a group of toddlers without worrying about tearing of delicate pages? Will it be interesting to him when he's actually big enough to carry it, or will he prefer picture books? Is this targeted at reluctant readers, who want to feel BIG but can't sit for a more complex story? Or is it just another way to try and make money for the publishers? Not that I'm against it, but I feel like books should be the right size, for the right age and child.
The average sized board book has been our mainstay. Whether square or horizontal, it serves us well for laptime, wandering, stacking, flipping, grabbing, and loving. We prefer the native board books, not those picture books that have been shrunk down, although a few of those seem to work just as well (I Kissed the Baby comes to mind). Hanukkah Lights is no longer seasonal, but that hasn't stopped us from reading it often. It's a perfect first Melissa Sweet book, don't you think?
And last, but not least... the tiny book. Oh, how we loved this little apple-shaped book when we checked it out of the library! That's why its my pick for this month (see sidebar). I'm still thinking about tracking it down to buy, that's how much we miss it. It just fits in his little hands. It's light enough to carry everywhere - and really it got carried everywhere. And the illustrations inside charmed us over and over. Richard Scarry is timeless, even if some of the vehicles are a bit dated (a metal toothpaste car, and actual jar of yogurt as the yogurt car, etc.). I definitely understand the value in such a dear little object, especially with the scale and detail in the illustrations on white. I checked out a big picture book of Richard Scarry's and it just didn't have the same appeal - for either of us actually.
So what do you think, dear readers? Big, Little, Teeny - or all of the above?
