Showing posts with label portfolio. Show all posts
Showing posts with label portfolio. Show all posts

Wednesday, June 19, 2013

How to Put a Children’s Illustrator Portfolio Together by Illustrator Juana Martinez-Neal


Today I wanted to share a wonderful link that I am sure will be really helpful to all illustrators out there.

The very talented and lovely Juana Martinez-Neal did a post on how to put a kids' portfolio together. She covers different brands of portfolios, what art to include, even how the sequence of the illustrations should go! It's just wonderful.

I confess I don't have a physical portfolio at the moment. Everything I have is online. The only time I had to make one was for a SCBWI winter conference several years ago. But I plan on putting together a really nice one at some point and when that time comes, I will definitely be following Juana's advice. :o)




Thursday, April 12, 2012

What I'm Working On

My portfolio is currently disassembled and chaotic. Pages are getting yanked. Art is getting printed. After doing this process for many years, it gets easier to pull art out. Less is more when you know first-hand how fast pages get flipped.
I went bonkers yesterday looking for those black pages to slip in with the new art - I ordered some online, but found a decent (albeit not 'archival') substitute at Staples in their 'stationary' section for just $2.95. I'd rather use those than wait any longer to get this book ready.
I'm waiting for art to be photographed. My postcards are lined up. My website is getting a quick freshening-up. My wardrobe got a nice boost from a mad-dash shopping trip this morning.
I'm feeling a little frazzled about the NESCBWI conference next week - can you tell?
Not the least of which is due to leaving my children behind for 2 days and nights. I've never physically gone this far from them, and never left my 11 month old daughter overnight at all. They are in good hands with Daddy. But it's a lot to absorb. I wish everyone who is attending luck in getting their last minute projects assembled, homework finished, and households in order. I hope to see you there. And hope to be less frazzled once it all gets underway.

Wednesday, January 19, 2011

Telling a story



© Copryright Alicia Padrón 2010



I often get asked this question, "What should I include in my children's book portfolio?" and my answer is always the same. Animals, kids, anything else you love to draw... but don't forget to always try tell a story with your art.

But what does that really mean? And why is telling a story so important?

When you illustrate a book you are given a beautiful gift. You have the opportunity to visually tell the story you want to tell. Of course you have to illustrate the writer's words but a great illustrator always finds a way to say more. There has even been cases were the art says something completely different than the text, so there are two parallel stories being told.

The important thing to understand is that, as visual artists, we have the responsibility to take the child into a wonderful world. Remember that some of these kids don't even read yet so they are "reading" the book through your art. The art has to speak to them. Has to spark their imaginations and has to make them curious as to what comes next in the story.

Your portfolio should be no different. You want to tell a story with your art. Even though each page of your portfolio is not linked, you want to individually make a statement with each image. Images that tell stories speak to both young and older audiences. There is something about them that make you wonder and always raises questions:

Why are the characters there? How are they feeling? What will the do next?

Like with the sketch above. I knew I wanted to have a kid and a dog asking for three wishes. There are tons of ways to make that point across, but by experimenting with characters, angles, perspective and composition you can make a so-so image be a wonderful image that grabs you right then at first glance and makes you ask those questions. Why are the characters there? How are they feeling? What will the do next?

Always try to think of situations when creating art for your portfolio. Think beyond the obvious. What are the characters feeling at the moment? Is my art telling you this?

Make the characters interact with one another. Imagine you are the director of a film and just yelled "action!". Actors don't just turn around, look at the camera, stand still and smile do they? No, they act. They interact. They are interesting and alive. Your art should be no different.

We are so lucky to be able to illustrate for children. I'm sure you all have fond memories of a favorite book you had as a child. And I bet you that even tough the story was amazing it was the art that spoke to you. The images are still imprinted in your mind as if it was yesterday, aren't they? How powerful is that?

Don't take your images lightly. Always make the best of them.